Emil says:
back
Anil says:
Alright.
Emil says:
wtf i cant see if anyone is offline or online
Emil says:
...erghh
Anil says:
Your offline, dude.
Anil says:
Anyway lets get this shit happening.
Emil says:
k
Emil says:
intro is so fucking happy and fun
Anil says:
Before we start the review…
Anil says:
I’ll do a shitty intro.
Emil says:
alright hurry up cunt
Emil says:
gotta go soon
Anil says:
Something like "Before I commence the co-review with fellow chili-peppian Emil
Anil says:
I'd like to say scalpers are all tossers.”
Anil says:
Alright that'll do
Anil says:
So
Anil says:

Jupiter; Song 10: Especially in Michigan

Anil says:
INTRO
Anil says:
I know what you mean its a nice build up.
Anil says:
and the main guitar riff is simple and rockin’.
Emil says:
true that
Emil says:
kiedie's voice sounds hoott
Anil says:
haha
Anil says:
This is the kind of song where he just says whatever shit ya know.
Emil says:
like through some distorter machine or something
Anil says:
As long as it fits the melody
Emil says:
fucking oath
Anil says:
he can get away with anything.
Emil says:
as the 1 min kicks in ...the soft melody warms my loins
Anil says:
The chorus!
Anil says:
Yeah it would be mental at a concert.
Emil says:
yeh fucking oath
Anil says:
Even John's vocals are good in this song
Anil says:
the sort of distorted chants
Emil says:
(PS hope they play it in adelaide hahaha)
Anil says:
haha
Anil says:
Hope scalpers get raped up the arseholes.
Emil says:
true
Anil says:
Now
Anil says:
The solo
Emil says:
k back to the job cunt
Anil says:
NOT john
Emil says:
chad has got some mad smash and bash drumming
Anil says:
True that
Emil says:
the solo is awesome
Anil says:
Are you a fan of Omar Rodriguez-Lopez, the guy from Mars Volta that does the solo?
Emil says:
just like the album
Emil says:
well he's another one that warms the loins
Anil says:
Yeah true.
Anil says:
Alright lets listen one more time.
Anil says:
haha
Anil says:
Then that'll be enough.
Anil says:
Apparently, this song was a borderline song.
Emil says:
jebus
Emil says:
i fucking love this song
Anil says:
They were thinking of making it into a b-side.
Anil says:
I’m glad they kept it on.
Anil says:
Nice dynamic changes.
Anil says:
The soft bits, the loud bits.
Emil says:
yeh true.
Anil says:
Its all awesome.
Emil says:
the intro just smashs in. yeh and the chorus
Emil says:
yeh yeh 'SPOOF' ...k calm again
Anil says:
hahaha
Emil says:
nitch have i ever told u,.....
Emil says:
u make me horny
Anil says:
haha
Emil says:
why u laughing fuckface?
Anil says:
Because Shaun said the same thing.
Emil says:
i just opened my ball bags to u...(full of juice too)
Emil says:
oh
Anil says:
I don’t know what it is about me.
Emil says:
fucking cunt trying to steal u from me
Anil says:
Anyway, lets conclude the review.
Anil says:
Thanks for your opinions Emil.
Emil says:
u like hte little distortation voice thing during about 1.20min in?
Emil says:
i love tha tbit
Anil says:
Yeah man!
Emil says:
IM NOT DUNE YEH
Emil says:
YEH
Emil says:
YET
Emil says:
FUCKFACE
Anil says:
That’s one of the best John vocals on the album.
Emil says:
this better be on the site
Emil says:
yeh
Anil says:
That and the YYEEEEEEAAAAAAAHHHHHHH
Anil says:
at the end of ‘Wet Sand.’
Anil says:
Man I cant wait to review that song.
Emil says:
k u done with abusing me ?
Anil says:
haha
Emil says:
thanks for the chance ot help review
Anil says:
haha We'll do another one for the Mars cd
Anil says:
Anything else you wanna say?
Emil says:
ummm...
Emil says:
yes..
Emil says:
SCALPERS CAN LIKE MY FUCKING BALL BAGS BEND OVER AND GET FUCKED WITH A BIG FUCK U LEX STYLEEZZZ
Anil says:
Word.
Anil says:
Alright that'll do buddy
Emil says:
oh i meant lick
Emil says:
yeh
Anil says:
Haha
Emil says:
hahaha
Anil says:
Have a nice night.
Anil says:
I'll save this shit.
Emil says:
u 2
Anil says:
Put it up tomorrow.
Emil says:
hahaha funny shit

Jupiter; Song 9: Strip My Mind

This track is an example of the benefits of quality track sequencing, as the listener is brought to reality after the chaos of “Torture Me” with the tense chords opening this song. These intro and verse chords evoking the mood of an old school Western movie to me, accentuated by Chad’s strong drum-work. Chad appeals to me because as a drummer he always plays tightly, but without being rigid, and on slower songs like this his style can be appreciated more.

There are some nice psychedelic guitar sounds that serve the chorus well, and indeed John’s layering of guitars on the track pushes the song into the “ok” song category rather than the “whatever” category. Even though the solo is simply Anthony’s verse melody, the performance of it is so bluesy and tortured, making it another highlight of the piece.

And that’s about all I can say about this one; it’s a fair enough ballad-style song that I suppose could be labelled a stand-out on Stadium Arcadium because of the very fact that it is more or less a piece of filler on a double-album filled with better songs with stronger character.

NEXT!